LACMA “Art, Fame & Fashion” Presentation

photo by Aleji Tenutta

Art Bistro- Review
by Emily Waldorf

The Stylist Project Asks, “Is Fashion Art?”

On Wednesday, April 21, LACMA’s Costume Council featured a brilliant presentation by artist Kimberly Brooks, “Art, Fame, and Fashion.” Brooks recently completed the Los Angeles component of the The Stylist Project, a series of oil paintings that will eventually be turned into a book. The Stylist Project hones in on today’s fashion influences and explores the delicate question of whether fashion is art and whether stylists are artists.

Brooks is represented by Taylor de Cordoba Gallery and her work has been featured in the Los Angeles Times, Art Ltd., The Huffington Post, Vanity Fair, Elle, C Magazine, as well as at juried shows at the Whitney and MoMA. For The Stylist Project, Brooks researched who today’s top trendsetters are, and asked them to sit for her in her studio in their own clothes. Her creative process includes taking hundreds of images of her subjects and then creating a maquette to work from. She lists the work of Henri Matisse and David Hockney as inspiration, which is clear through the sun-drenched colors and formal composition of her gorgeous paintings.

Brooks’ subjects include bold-faced L.A. fashion luminary names including Elizabeth Stewart, Liz Goldywn, Katherine Ross, Jeremy Scott, Jeanne Yang, Andrea Lieberman, and Rachel Zoe, among others. Part 2 of The Stylist Project is focused on New York’s haute fashionistas and will debut in Spring 2011. During her presentation, Brooks challenged the hierarchy of fine art versus applied arts and asked why hanging something on your wall is different than hanging something in your closet. She concluded that paintings can last hundreds of years but fashion is ephemeral by nature, so stylists are “artists of the everyday.”

Brooks’ presentation concluded with a roundtable discussion with two fashion stylistswho posed for her for The Stylist Project, Jeanne Yang and Elizabeth Stewart.

Vanity Fair: Kimberly Brooks Shows Her Oil Paintings at Taylor De Cordoba Gallery in L.A.

….Brooks’ latest oeuvre abandons the Hockney-like light-saturated planes of color and the Matisse-like flat decorative patterning that she deployed so skillfully in my portrait. Driven and prolific, the artist within a year has moved on to a darker, more deconstructed mood, to a Bacon-like paring down to ripened, abstracted essences. The new oil paintings—you can almost smell the fresh pigment, even in reproduction—are on exhibit from September 10 to October 22 at the Taylor De Cordoba gallery in Los Angeles. The show’s title, “Thread,” explains Kimberly (who loves fashion as much as paint), alludes “to the thread we use to weave, to adorn us in our clothing and what also connects us together, regardless of time period or culture.”

Read whole article >

MOCA Contemporaries Art Panel, May 3rd 2011

I’ll be speaking on MOCA Contemporary’s Art Panel as the resident artist discussing “The Stylist Project” and much more with Curator Rose Apodaca, Stylists Arianne Phillips and Michael Schmidt. I hope you can join me.

6:30 Refreshments | 7:00 – 9:00 pm Panel | Ray Kurtzman Theater | Creative Artists Agency | 2000 Avenue of the Stars
Tickets $40 at | For more information call 213.633.5348

Allison Gibson: The Stylist Project

KIMBERLY BROOKS: The Stylist Project

The history of portraiture is in many ways a history of influence. Most portrait subjects held a certain degree of influence over the church, the state, and the cultural climates of their times—fashion trends of course among the latter. From monarchs to wealthy arts patrons to courtesans lying languidly on chaise lounges, the figures rendered by painters throughout the history of art have served as veritable cover models. To view their portraits hanging on the walls of the Academy was not only to behold the work of the masters but also to check out the latest style trends.

Maybe it’s a stretch to think of the Academy as a proto-Vogue, but the art world has certainly maintained an open flirtation with the fashion industry since long before even Andy Warhol trotted his wacky wigs around Studio 54 with the likes of Diane von Fürstenberg. And while these days there is more collaboration between the two fields than ever before, the most compelling form for illustrating this interplay remains portraiture.


With The Stylist Project, Los Angeles-based artist Kimberly Brooks gives us the contemporary answer to this portrayal by painting the those whose newly minted power holds great influence on today’s fashion culture: the stylists.

In her series of oil painted portraits, Brooks shines a spotlight not on fashion’s cover girls but on the industry’s most iconic tastemakers. These are women and men who, while famous by name, rarely find themselves in the limelight: after all, theirs too is the work of the artist rather than the sitter, styling models and celebrities for editorial spreads in high fashion glossies and prepping them for flashbulbs that fire at red carpets. At the end of the day, they influence the trends because they control the fashion world’s visual message.

An avid student of form, Brooks’s work draws heavily on the historical tradition of fine art portraiture. The regal positions of some of her sitters call to mind Renaissance royals, and the sprawled poses of others, such as Emmy Award winning Mad Men Costume Designer Janie Bryant, can’t help but conjure the seductive early Modernist masterpieces of Manet. In this way, The Stylist Project creates a dialog between the editorial and the art historical, between what Brooks calls “the ephemeral nature of the fashion cycle” and the enduring power of oil paintings.

While glamorous on the surface, Brooks’s work also captures an underlying tension that exists between the luxuriousness of the world where these stylists and creative directors work and the suggestion of at least a few of the figures’ unease at being thrust for the first time into starring roles.

In the case of longtime Vogue Creative Director Grace Coddington—whose face has recently become as familiar to the public as it’s long been to fashion industry insiders thanks to the popular documentary “The September Issue” and her own recently released memoir—the allure of the portraits lies in their intimacy. Here we have Grace Coddington, not of Condé Nast’s frenzied 12th floor, but as a quiet creative. Painted in her own Prada, she appears as unembellished as she does in the raw photographs that Brooks captured during their one-on-one session at Ms. Coddington’s apartment.

In every piece, Brooks handles the paint with generosity and with restraint. There are moments of vivid realism: the texture of the leopard print rug upon which Grace Coddington lays is as richly rendered as any luxury textile, and the colors are as vibrant as any seen on Fashion Week runways. Other details she’s chosen to soften to an almost impressionistic gesture—especially her handling of this subject’s famous and otherwise unruly red hair.

Each subject in the series has styled herself. And each poses not in the artist’s studio but in the comfort of her own home, taking a cue from the Northern Renaissance trend toward depicting a more authentic tableau. In the same way, each object on the sitters’ bookshelves and console tables reflects the iconography of our time, so that the wedding photo behind New York Times fashion editor turned top celebrity stylist Elizabeth Stewart informs her portrait as much as the ankle wrap sandals she has chosen to wear. The result is an honest look at a fleeting moment in the life of somebody who traffics in the equally as fleeting fashion industry.

Brooks conceived the idea while working on her series Mom’s Friends — an intensely personal project about her mother and her mother’s friends in the 70s.  Pursuing fashion as a language within portraiture, she attended lecture at LACMA about the influence of Coco Chanel and Elsa Schiaparelli’s fashions on the paintings of Matisse.  Surrounded by unimaginely dressed women of the costume council, it occurred to Brooks to explore fashion’s influence as a subject in and of itself and the people who influence fashion from the top.

As it has developed, The Stylist Project has become both a celebration of, and a study in, the influences that fashion and art continue to have on one another. The work is a time-stamped look at the fashions and tastemakers of the moment, and it is also an addition to the timeless tradition of portraiture.


Los Angeles Times Magazine: Culture(d)


Pop stars have fascinated contemporary artists for years—think Andy Warhol, Richard Prince and Elizabeth Peyton. Painter Kimberly Brooks now trains her eye on those who labor to make them popular. The Stylist Project includes portraits of L.A. tastemakers, including (clockwise from top left) celebrity stylist Elizabeth Stewart, Rose Apodaca (co-owner of A+R) and costume designer Janie Bryant (Mad Men). Through April 3. Taylor De Cordoba Gallery, 2660 S. La Cienega Blvd., L.A., 310-559-9156,

Huffington Post: Kimberly Brooks’ The Stylist Project Debuts in Los Angeles

March 2, 2010 | Ellen Caldwell

In Victor Bockris’ biography on Andy Warhol, Warhol describes his dream of attending one of his famed parties and mingling with all of his paintings’ subjects who have magically come to life around him.

Last night, painter Kimberly Brooks got to live out Warhol’s dream. Brooks’ current solo show “The Stylist Project” opened Saturday at Culver City gallery Taylor De Cordoba and last night, Vanity Fair, Dior, and Taylor de Cordoba came together to throw a one-night-only soiree benefiting P.S. Arts .

Rose Apodaca in front of “Rose Apodoca” Oil on Linen

Kimberly’s endeavor is lofty — she has gathered stylists and fashion icons who function somewhat like the Wizard of Oz, working behind the scenes to shape current trends and styles. One by one, she has asked these trend-shapers to style themselves and sit for her in the comfort of their own homes, closets, apartments, or backyards. The effect is at once compelling and inviting. Brooks turns the camera and canvas onto those who are more accustomed to being behind them, but in doing so, she establishes a level of comfort with the stylists that is not only recognizable in the portraits, but also felt at the crowded event.

Weaving in and out of the gallery’s rooms, attendees could see Brooks’ jewel-toned portraits intermingled with the portrayed stylists themselves, including Janie Bryant, Nancy Steiner, Rose Apodaca, Cameron Silver, Jessica Paster, and Arianne Philips – to name a few. What was extraordinary about the night is that here you had an event with 15 portraits of unique people who aren’t necessarily famous or immediately recognizable, but they were all in the room with you and with their art. Imagine if you went to a museum, and all the people in the paintings were alive and interactive. That’s exactly what happened Monday and it was fascinating — taking the night out of the realm of static art show, and making it a real happening.

Ginnifer Goodwin

Actor Ginnifer Goodwin sat for her portrait two weeks before the show and her portrait was promptly sold with 100% of the proceeds gone to benefit P.S. Arts, a nonprofit organization dedicated to improving children’s lives by bringing arts education to under-served schools and their communities.

Notable attendees included Michael Govan, Norman Lear, Arianna Huffington, Abbie Cornish, Nia Vardalos, Ginnifer Goodwin, James Van Der Beek, Tracee Ellis Ross, Jordana Brewster, Marisa Tomei, Perrey Reeves and Christina Hendricks.

“The Stylist Project” runs at Taylor De Cordoba 2660 S. La Cienega Blvd., through April 3, 2010.

WWD – Painted Ladies, Artist Kimberly Brooks Chooses Fashion Flock as Her Subject

Stylists like Rachel Zoe, Arianne Phillips and Nancy Steiner are used to earning top dollar to make celebrities look camera-ready. But recently they had the tables turned on them, posing for painter Kimberly Brooks as part of her new series “The Stylist Project.” And much like her aesthetically attuned subjects, Brooks took a highly detailed approach in rendering their likeness.

A month before the exhibit’s opening, Brooks stands in her Venice, Calif., bungalow studio counting the number of cerulean blue feathers she needs to paint on a Valentino coat wrapped around Zoe’s tiny frame; perfecting the aristocratic stance of Katherine Ross, consultant for LVMH Moët Hennessy Louis Vuitton, who evokes John Singer Sargent’s “Madame X” in a black Rodarte gown, and adding final touches to the black beaded necklace and white bracelet in Jessica Paster’s topless pose.

“They are setters of scenes,” says Brooks, acknowledging the challenge of tackling such fashionable muses. “They know what they want. They are very specific.”

“The Stylist Project,” which will be on display at Los Angeles’ Taylor De Cordoba gallery from Feb. 27 through April 3, is an offshoot of Brooks’ first solo show in 2007, “Mom’s Friends,” which portrayed her mother and her girlfriends glammed up in furs and feathered hair in the Seventies. After attending a museum lecture on how designers Coco Chanel and Elsa Schiaparelli influenced the painter Matisse, Brooks decided to document a moment in fashion with the help of stylists. With her easy manner, Brooks had little trouble convincing women such as Elizabeth Stewart and “Mad Men” costume designer Janie Bryant to sit for the hundreds of photos on which she based her painted portraits.

“She’s so down to earth and incredibly kind,” says Jeanne Yang, whose clients include Katie Holmes. “When she takes pictures, she talks to you and makes you feel attractive.”

Brooks studied fine arts at UCLA and Otis College of Art and Design…. Still, she felt a kinship with the stylists. “I see them as artists, too. I use paint. They use Prada,” she adds.

Even with the latest designer looks at their disposal, some subjects still found themselves at a loss when it came to styling themselves. Yang, for one, couldn’t choose a single dress, so she wore three by Marc Jacobs, Leonard of Paris and Sari Gueron (the latter made the final cut for the painting). Andrea Lieberman waited until the last minute to pluck a navy and white striped maxidress from her own fashion line, A.L.C.

Once done with her Los Angeles-based series, Brooks will seek inspiration from New York image makers such as Grace Coddington, Nina Garcia, Brana Wolf, Amy Fine Collins and Lori Goldstein. She hopes to eventually take her project to London, then Paris, and publish a book highlighting the stylish set she’s immortalized on canvas.

“These people are used to styling for a red carpet or an evening out,” Brooks says. “That’s ephemeral while paintings last for hundreds of years.”

“Kimberly Brooks: The Stylist Project” opens Feb. 27 at Los Angeles’ Taylor De Cordoba gallery, 2660 South La Cienega Boulevard.

944: ArtForm

Kimberly Brooks’ The Stylist Project is a series of portraits that focuses on the professional stylist and fashion-industry insider as its subjects.  The Los Angeles exhibition features paintings of some of the world’s most influential style-makers, including owner A + R and former WWD Bureau Chief Rose Apodaca; Madonna’s personal stylist Arianne Phillips; New York Times Magazine stylist Elizabeth Stewart; Mad Men costume designer Janie Bryant; and stylist to the stars Rachel Zoe, among others.
By bringing these behind the scenes players on canvas, The Stylist Project comments on fashion and those responsible for setting the trends.  As Brooks says, “It’s great to contribute to a conversation about fashion and art — about fashion in art.”
Shortly after her successful 2007 exhibit Mom’s Friends, which focused Brooks’ brush on the personal relationships of her mother, as seen from Brooks’s childhood perspective, the artist found inspiration in the influence of Coco Chanel on the works of Henri Matisse.  However, whereas Matisse’s work was influenced indirectly, Brooks sought to make fashion and style the subject of a series while reflecting the personality within a portrait.  Apodaca adds, “I decided to wear the dress I was married in just the year before.  That, the vintage horn chair, the rush of color… it all just seems very personal when I look at it.”
Stewart was also impressed by the artist’s dedication to a soulful rendering, saying, “She came into my home and worked with me on the setting… it was very important to her that it reflected me and my style.”
Fashion, more than any other art form, is temporal; it shifts from season to season. Although there is a hyper-articulate niche in society that directly engages in a dialogue about fashion-as-an-art, it is most commonly a passive interaction.  Brooks is conscious of this fleeting nature, saying, “Someone will get dressed up only for a moment — for a movie, a TV show, a red carpet – and it comes and it goes.  I wonder – what will theses portraits look like in a hundred years?”
Check out The Stylist Project, on exhibition at the Taylor de Cordoba Gallery, Tuesday thru Staurday, 11 am. – 5:30 pm, until April 3
by Panagiotis Giokas

Peter Clothier- The Buddah Diaries

Excerpt from The Buddah Diaries Sunday March 6, 2010
“….So let’s take a look at Kimberly’s work. She’s a proficient painter, mostly pictures of people in environments that could be called “genre paintings,” and she has been concentrating recently on portraiture in what she identifies as “The Stylist Project.” They are portraits, mostly, of women, presumably themselves stylists for the movies, advertising, or the fashion industry. I have to confess ignorance on this score. But they are, we sense, comfortable enough in the material aspect of their lives and for the most part in themselves, for who they are. They are in touch with their own sensuality, with the physical world, and clearly enjoy the pleasures of clothing, jewelry, shoes, ranging from high-end designer to art-world eccentric.
There is, in these portraits, certainly, a celebration of the feminine, a delight in the “style” these women create for themselves and project. At the same time, there is an awareness of the inherent paradox of “style”–that, while glamorous, it carries with it the seeds of its own superficiality, its attachment to outward appearances–which is implicit in what I take to be a hint of satire in these paintings. In making a “project” of the series, I’m assuming that the artist is wanting to discover, in the paintings, something about what these people share in common, how their passion for style is reflected in the way in which they present themselves to the world. What she arrives at is an observation of our culture that suggests a fascinating surface–and a disturbing depth.”

The Examiner- Los Angeles, Kimberly Brooks Paints Masterful Artworks for The Stylist Project

March 3, 11:50 AM LA Women’s Style Examiner Laurie Brucker

As we all know, fashion is an art form. Designers essentially create living breathing works of art that grace our the runways. Haute Couture, of course being the finest and highest of this art form. Well what about stylists? Are the wildly creative fashion visions that stylist’s create, considered art too? I would say, yes! It takes a deeper sense of creativity to put looks together like stylists do. For film and music, for editorials, and especially for our rising starlets, those creations do not come easy. Well artist Kimberly Brooks, absolutely sees the work of stylists as art and is now immortalizing them and their art, as… ART! Welcome to the “The Stylist Project” almost two years in the making Kimberly Brooks painted portraits of Los Angeles’ top stylists, editors and fashion tastemakers. Debuting this past weekend at the Taylor De Cordoba Gallery on La Cienega. I went in for a first look and glimpse into the artists that are now art.

Each portrait is brilliant and fascinating. The colors are vivid, juxtaposing, strategic and give you glimpse into the essence of each subject. The details are intricate. There is life in each portrait. Movement. And with the stylists, styling themselves, with each portrait Kimberly Brooks brought to light, not only her internal creative process, but the creative process of each subject. All very different and all very defining. All very very fabulous.

Plus there is something so telling about Kimberly’s choices of portrait subjects. Truly, this is a presentation of the influences of today. From the famous and infamous Rachel Zoe, to Madonna’s very incognito costumer Arianne phillips (who happen to also do the costumes for my favorite movie…Hedwig and the Angry Inch), to designer Jeremy Scott, to Janie Bryant, costumer for the hit TV show Madmen, to fashion journalist Rose Apodaca, to vintage connoisseur and Decades owner Cameron Silver and finally to celebrity stylists Jessica Paster, Elizabeth Stewart, Jeanne Yang, and Katherine Ross. These are the people calling the fashion shots. They are top influencers who live most of their lives behind the scenes (…sans Rachel Zoe), and are now being brought to the forefront.  I can only imagine that  being immortalized in a Kimberly Brooks portrait must be the best reward for all the uncredited work these talented fashion tastemakers have created and I am sure, subconciously influenced us all.

You can see Kimberly Brooks, “The Stylist Project” now through April 3rd at the Taylor De Cordoba Gallery.

Los Angeles Magazine – Coming Attractions Feb 2010


Fashion Fronts (pg. 32)

Transforming people into art is all in a day’s work for stylists Rachel Zoe and Jessica Paster and costume designer Arianne Phillips, so it’s appropriate that they get the same treatment in a new exhibition. With The Stylist Project, a show at Culver City’s Taylor De Cordoba gallery, Venice painter Kimberly Brooks renders 12 fashionistas in oil (that’s Zoe, above), with nods to John Singer Sargent, Henri Matisse, and David Hockney.  Additional portraits of other chic personalities (Vogue’s Grace Coddington, Elle’s Joe Zee) will travel to New York.  Feb 27 – Apr 3.  Go to


Kimberly Brooks had a great idea recently.  The local, Venice-based painter decided to look into the art that plays a role in our everyday lives and the people holding the cards behind it.  She looked beyond museum shows, beyond advertisements, and into the world of fashion that is so often considered less of an art form and more of a necessity.  The men and women working behind the scenes to make our world a touch more glamorous are artists who recognize that the necessity of fashion can be one of the more creative enterprises in our lives and it can be one that makes (or doesn’t make) the right impression.

In her latest series of paintings, called “The Stylist Project”, Kimberly Brooks scoured the world of stylists, costume designers, and Creative Directors to delve deeper into the minds of who exactly is dressing our most photographed celebrities and our most watched characters in TV and film.  She painted Vogue’s Creative Director Grace Coddington and Mad Men costume designer Janie Bryant in their most comfortable settings (albeit in their most fabulous clothes).  She painted Elizabeth Stewart, a stylist for the New York Times Magazine and Harper’s Bazaar, with a gorgeous and colorful palette and she captured the nervy and frazzled essence that is Rachel Zoe.

We got a chance to sit down with Brooks to discuss just what went into “The Stylist Project” and the upcoming show at Taylor de Cordoba gallery in Culver City.  We learned very quickly that stylist is a pretty loose term to us amateurs, but in the business, a stylist can be anyone who fashions a photo shoot (often-times called a Creative Director) to someone who styles a celebrity for a red carpet event.  Brooks’ colors and masterful way with a paintbrush allows us into this inner sanctum of fashion via the world of art – it’s almost as if we know them just by looking at these paintings.

Check out our video interview and go say hi to your new friends (the stylists, of course) at the opening reception at Taylor de Cordoba gallery on Saturday evening (February 27).  The show runs through April 3, 2010.  For more information, please click here or call (310) 559-9156.

Angeleno- Who Says Fashion Isn’t Art?

Who says fashion isn’t art?  For her latest exhibition, The Stylist Project, painter Kimberly Brooks enlisted a group of renowned Hollywood stylists to outfit themselves and pose for portraits.  “I started thinking of fashion as a language.” says the artist, whose previous work has focused on subjects closer to home (think paintings of her mom’s friends in the 70s, or images of her summertime memories).  This time, her inspiration came while attending a lecture at LACMA that discussed Coco Chanel’s influence on the work of Henri Matisse.  Brooks scouted out those whom she thought were most influential “style makers” in L.A., including Arianne Phillips, Rose Apodaca and Rachel Zoe.  “Everyone is an artist in some form or another — not everybody is a painter, but everyone does get dressed in the morning.”  Feb 27 – April 3.  Tues. – Sat., 11am – 6PM. At Taylor De Cordoba Gallery.  2660 S. La Cienega Blvd., Los Angeles, 310.559.9156 or

VOGUE – Italia

March 4, 2010. Artist Kimberly Brooks celebrated the opening of her current exhibition The Stylist Project in Los Angeles last night… Vanity Fair and Dior co-sponsored the event, as guests including Ginnifer Goodwin, Abbie Cornish, Liz Goldwyn and Marisa Tomei… joining fellow stylists Arianne Phillips, Cameron Silver and Lisa Edelstein, among others. – Linlee Allen

The Stylist Project – Press Release



February 27 – April 3, 2010 Opening Reception: Saturday February 27th, 2010 6pm – 8pm

Taylor De Cordoba is pleased to present The Stylist Project, a solo exhibition of new oil paintings by Los Angeles-based artist Kimberly Brooks. The exhibition will run from February 27 – April 3. The gallery will host an opening reception for the artist on Saturday, February 27th from 6pm-8pm.

The Stylist Project is the first in a series of portraits of renowned stylists and fashion industry insiders who have styled themselves and posed for the artist. After delving into deeply personal subject matter for her last two exhibitions – “Momʼs Friends” in 2007 and “Technicolor Summer” in 2008 – Brooks shifts her focus outward with this new body of work. Here, she broaches the red-hot themes of fashion, style and those omnisciently responsible for setting the trends.

This exhibition features portraits of LAʼs most influential style-makers including celebrity stylist Rachel Zoe; costume designer and Madonnaʼs personal stylist Arianne Phillips; New York Times stylist Elizabeth Stewart and Mad Men costume designer Janie Bryant, among others. While many of the stylists are unknown to the general public, this work turns the spotlight on them, raising questions about who is really in charge of what wear and how we choose to present ourselves. Brooksʼ paintings portray a dynamic exchange between two artists: the painter and the stylists — both of whom use various props, settings, lighting, fashion and accessories to set the canvasʼ stage.

Kimberly Brooksʼ work has been featured in numerous juried exhibitions organized by curators from the Whitney Museum of American Art and the Museum of Modern Art. Her work has been featured in the Los Angeles Times, Art Ltd., The Huffington Post, Vanity Fair, Elle, C Magazine among other publications.

For additional information and images, please contact Heather Taylor at 310-559-9156 or Taylor De Cordoba is located at 2660 South La Cienega Blvd in Los Angeles, CA. The gallery is open from Tuesday – Saturday, 11AM – 6PM.

Upcoming 2010 Los Angeles Exhibition

A New Series of Oil Portraits by

K I M B E R L Y   B R O O K S
“The Stylist Project”

February 27 – April 3, 2010

2660 S. La Cienega Blvd., Los Angeles, CA 90034  |  tel: 310.559.9156
Artist Reception: Sat, February 27, 6 – 8 pm


“Elizabeth Stewart”  (Stylist for New York Times Magazine and Harper’s Bazaar) The Stylist Project, Oil on Linen by Kimberly Brooks

About The Stylist Project

The Los Angeles installment of “The Stylist Project” at Taylor De Cordoba, debuts a series of portraits of people with extraordinary style, focusing on major  Los Angeles-based stylists, style-makers and fashion editors, styling themselves.  The New York Exhibition with New York Style-makers will be Spring 2011.

I have often painted women and figures based around a theme. During my 2007 solo exhibition “Mom’s Friends” about my mother and her friends in 1970s Marin County, I embraced the idea of fashion as a language within painting.  For this show, I sought a way to make fashion the subject itself and to bring to life the people, often a mystery to the public, who wield fashion just as I do my paint and brush.   Each portrait is very different.  It is a collaboration between two artists.

In my research I learned that there is a very hierarchical ecosystem of people considered style-makers and that “stylist” is actually a misnomer.  The project encompasses a range of professions including costume designers, magazine creative directors, fashion editors, celebrity stylists, and style icons. For this reason I use the term “stylist” a bit loosely.

Related Writings: Michelle Obama: Master Colorist.

Aqua Art Miami – Wynwood 2009

AquaWynwardKimberlyBrooksAQUA ART MIAMI – WYNWOOD 2009


Taylor De Cordoba – Booth # 29

December 3 – 6, 2009.
42 NE 25th St.
Miami FL 33137 (at N Miami Ave)
Aqua Art Miami

If you are planning to attend the fair, please contact the gallery for a limited supply of complimentary passes.

Taylor De Cordoba
2660 S La Cienega Blvd.
Los Angeles, CA 90034

Image Details: Kimberly Brooks, “The Stylist Project”, Grace Coddington, Study, 2009, oil on linen, 16″ x 12″ ; Chris Natrop, Gleaming Without Us – Moss, 2008, ultrachrome print and machined cast acrylic, 23”x31”x1 1/8”