Continuing her tense on-going battle between abstraction and literal representation, Kimberly Brooks’ latest selection of oil paintings are being displayed in Los Angeles at the Zevitas Marcus gallery.
Brooks explores the theme of human gestures, pillaging the imagery of well-known historical events to reproduce an entirely new story within that very same context. Her work is an amalgamation of figures, landscapes, still life and interiors. She blends into it her own personal experiences that go on to create a skilful fusion of historical and contemporary perspectives. As an artist Brooks has depended on the abstract, but never completely embraced it, though one can sense an on-going tension between representation and abstraction in her works. The recent paintings seem to tilt towards abstraction in many ways. Brooks uses it to divide the materiality of history, like in ‘Museum Wall’. She then invites viewers to dive inside the frame to experience the history as it happened and her depiction of it, which she does in ‘Blue Angels’. The works may have their sources in known historical events, but Brooks has no intention of reporting about them per say, instead she accesses her honed ability of painting that can directly construct meaning. The grand interiors, ornamentation and religious icons in her works are deconstructed from their traditional forms and are aligned within our contemporary culture with a renewed range of meaning.
Kimberly Brooks is a graduate from UC Berkeley in Literature and worked as a writer before choosing the brush over the pen. Brooks studied Painting at UCLA and OTIS. Her work has been the focus of several solo and group exhibitions organized by curators from Whitney Museum of American Art, Museum of Modern Art, California Institute of the Arts and Los Angeles County Museum of Art. She lives and works in Los Angeles where this exhibition will take place. Zevitas Marcus is located in Los Angeles’ gallery district, Culver City.
The exhibition will be on view through September 9 – October 21, 2017 at Zevitas Marcus 2754 S La Cienega Blvd, Los Angeles, California 90034
On View: September 9 – October 28, 2017
Opening Reception: Saturday, September 9, 2017 from 5 – 8pm
Los Angeles, CA – Zevitas Marcus is pleased to present Brazen, a solo exhibition of oil paintings by Los Angeles-based artist Kimberly Brooks. The exhibition will run from September 9 through Oct 21, 2017 with an opening reception Saturday, Sept 9, 2017 5:00 – 8:00 PM.
Kimberly Brooks’ constructs scenes with singular gestures, marauding imagery of recognizable historical contexts to manifest something entirely new. Her work brings together traditional subject matter – the figure, landscape, interiors and still-life – with her own personal experiences to form a deft fusion of contemporary and historical concerns.
There has always been a palpable tension between abstraction and representation in Brooks’ work. Her most recent paintings veer ever more aggressively towards abstraction, which is used as a divide between experiencing the materiality of a particular history (Museum Wall) and falling inside the frame to experience the history at the time of depiction (Blue Angels).
While the work included in Brazen all arrives from recognizable source material, Brooks is less interested in reportage than she is in the ability of paint to directly conjure meaning. To this end, religious icons, grand interiors and ornamentation are all purposefully untethered from their traditional functions and allowed to embody a greater range of meaning within our contemporary culture. In Talitha, stark Joan of Arc hair and a sumptuous collar remain as the greatest signifiers of a faded princess. The facial details have fallen vague, effectively encouraging an audience to project their own narratives onto what is left behind. Brooks work is ultimately concerned with how painters see and process the visual remnants of history.
Kimberly Brooks graduated from UC Berkeley in Literature and worked as a writer before exchanging the pen for the brush. Brooks studied Painting at UCLA and OTIS. Her work has been showcased in numerous juried exhibitions including curators from Whitney Museum of American Art, Museum of Modern Art, California Institute of the Arts and Los Angeles County Museum of Art. Brooks lives and works in Los Angeles. This is her first solo exhibition with Zevitas Marcus.
Opened in September of 2015, Zevitas Marcus is a contemporary art gallery founded by Steven Zevitas and Richard Marcus located in the heart of Los Angeles’ gallery district, Culver City. www.zevitasmarcus.com
Santa Ana, Ca- Kimberly Brooks will have three works featured in the group exhibition “Instalarity” curated by F. Scott Hess at the Q Art Salon, November 5-28, 2016 Opening night November 5th 6:00 – 8:00 PM
Participating artists include: Alonsa Guevara, Kimberly Brooks, Charles Antolin, Damian Chavez,Daniel Maidman, Danny Galieote,Dina Brodsky, Felicia Forte, F Scott Hess, George Dawnay, Guno Park, James Thistlethwaite, Jihae Christine Lee,John Brosio, Justin Matthew Tecson, Lola Gil, Marc Dalessio, Marc Trujillo, Maria Kreyn, Michelle Doll, Natalia Fabia, Nina Ulett, Taylor Jade Phillips,Shannon Fody, Stephen Wright, Valerie Pobjoy, Joseph Rivera, William Wray, Yalda Sepahpour, Zoey Frank. F. Scott Hess published an article about the exhibition here.
Q Art Salon, 205 N Sycamore St, Santa Ana, CA 92701.714-835-8833
51 7th Ave (between 13th and 14th Streets)
We are delighted to introduce work by Kimberly Brooks in our new exhibition, curated by Kathy Battista, I’ll Be Your Mirror, featuring new limited edition prints by Betty Tompkins, Cheryl Donegan, Cindy Hinant, Lucy Liu and Narcissister.
Kimberly Brooks prints are from her exhibition “I Notice People Disappear”. Brooks is an American painter who blends figuration and abstraction to focus on a variety of subjects dealing with memory, history and identity. Born in New York she now lives and works in LA where she studied painting at UCLA. Solo exhibitions include: Thread and Bone, The Cooper Building, Los Angeles (2015); I Have a King Who Does Not Speak, Roosevelt Library, TX (2014); I Notice People Disappear, ArtHouse429, FL (2014); Thread, Taylor de Cordoba, Los Angeles (2011); The Stylist Project: Los Angeles, Taylor de Cordoba, Los Angeles (2010); Technicolor Summer, Taylor de Cordoba, Los Angeles (2008); Mom’s Friends, Taylor de Cordoba, Los Angeles (2007); and The Whole Story, RiskPress Gallery, Los Angeles (2006). Group shows include: Mirroring: Refraction Through the Female Gaze, Mirus Gallery, San Francisco (2013); Forest from the Trees, White Box Gallery, San Diego (2013); Sense and Sensibility, Mt. San Antonio College, CA (2013); Incognito, Santa Monica Museum of Art, CA (2010); Women of Women: The Female Form, Taylor de Cordoba, Los Angeles (2010); ArtHaus: Los Angeles | Berlin, Reiss-Engelhorn-Museen, CA (2009); and Made in California: Eight Artists, Santa Monica, CA (2009).
We will also be showing limited edition artwork by Sarah Cain, Anna Sew Hoy, Betty Tompkins, Monica Majoli, Ruby Sky Stiler, Virginia Poundstone, Liam Gillick, Scott Reeder, Alejandro Diaz, Tony Tasset and Yinka Shonibare. Proceeds from the sale of these works will benefit our cultural partners MCA Chicago, RISD Museum, Los Angeles Nomadic Division, Contemporary Art Museum St. Louis, The Aldrich Contemporary Art Museum and Artadia.
Art+Culture Projects is a publisher of print editions and multiples produced in partnership with artists, curators, cultural institutions, non-profits, museums and commercial galleries. Our mission is to broaden awareness of the artists who are shaping our cultural legacy while creating a sustainable source of income for both artists and the programs – whether non-profit or commercial – that are showcasing innovative artistic practice.