Group Exhibition “Instalarity” Curated by F. Scott Hess

lodhigardensiinight_8x10_kimberlybrooks

Santa Ana, Ca-  Kimberly Brooks will have three works featured in the group exhibition “Instalarity” curated by F. Scott Hess at the Q Art Salon,  November 5-28, 2016 Opening night November 5th 6:00 – 8:00 PM

Participating artists include: Alonsa Guevara, Kimberly Brooks, Charles Antolin, Damian Chavez,Daniel Maidman, Danny Galieote,Dina Brodsky, Felicia Forte, F Scott Hess, George Dawnay, Guno Park, James Thistlethwaite, Jihae Christine Lee,John Brosio, Justin Matthew Tecson, Lola Gil, Marc Dalessio, Marc Trujillo, Maria Kreyn, Michelle Doll, Natalia Fabia, Nina Ulett, Taylor Jade Phillips,Shannon Fody, Stephen Wright, Valerie Pobjoy, Joseph Rivera, William Wray, Yalda Sepahpour, Zoey Frank.  F. Scott Hess published an article about the exhibition here.

Q Art Salon, 205 N Sycamore St, Santa Ana, CA 92701.714-835-8833

Art + Culture Print Exhibition, NY, NY

"Portrait of Layla" "Portrait of Arjun" Limited Edition Prints

Art+Culture Projects
51 7th Ave (between 13th and 14th Streets)

We are delighted to introduce work by Kimberly Brooks in our new exhibition, curated by Kathy Battista, I’ll Be Your Mirror, featuring new limited edition prints by Betty Tompkins, Cheryl Donegan, Cindy Hinant, Lucy Liu and Narcissister.

Kimberly Brooks prints are from her exhibition “I Notice People Disappear”. Brooks is an American painter who blends figuration and abstraction to focus on a variety of subjects dealing with memory, history and identity. Born in New York she now lives and works in LA where she studied painting at UCLA. Solo exhibitions include: Thread and Bone, The Cooper Building, Los Angeles (2015); I Have a King Who Does Not Speak, Roosevelt Library, TX (2014); I Notice People Disappear, ArtHouse429, FL (2014); Thread, Taylor de Cordoba, Los Angeles (2011); The Stylist Project: Los Angeles, Taylor de Cordoba, Los Angeles (2010); Technicolor Summer, Taylor de Cordoba, Los Angeles (2008); Mom’s Friends, Taylor de Cordoba, Los Angeles (2007); and The Whole Story, RiskPress Gallery, Los Angeles (2006). Group shows include: Mirroring: Refraction Through the Female Gaze, Mirus Gallery, San Francisco (2013); Forest from the Trees, White Box Gallery, San Diego (2013); Sense and Sensibility, Mt. San Antonio College, CA (2013); Incognito, Santa Monica Museum of Art, CA (2010); Women of Women: The Female Form, Taylor de Cordoba, Los Angeles (2010); ArtHaus: Los Angeles | Berlin, Reiss-Engelhorn-Museen, CA (2009); and Made in California: Eight Artists, Santa Monica, CA (2009).

We will also be showing limited edition artwork by Sarah Cain, Anna Sew Hoy, Betty Tompkins, Monica Majoli, Ruby Sky Stiler, Virginia Poundstone, Liam Gillick, Scott Reeder, Alejandro Diaz, Tony Tasset and Yinka Shonibare. Proceeds from the sale of these works will benefit our cultural partners MCA Chicago, RISD Museum, Los Angeles Nomadic Division, Contemporary Art Museum St. Louis, The Aldrich Contemporary Art Museum and Artadia.

Art+Culture Projects is a publisher of print editions and multiples produced in partnership with artists, curators, cultural institutions, non-profits, museums and commercial galleries. Our mission is to broaden awareness of the artists who are shaping our cultural legacy while creating a sustainable source of income for both artists and the programs – whether non-profit or commercial – that are showcasing innovative artistic practice.

All artworks are available to view and purchase now at artandculture.com. To purchase prints click here. For further information please contact helen@artandculture.com

ART INSTALLATION March 19 – July 28, The Cooper Building, Los Angeles, CA

sculpture2

FOR IMMEDIATE RELEASE

KIMBERLY BROOKS: Thread and Bone
MARCH 19 –  extended to July 24th**
Opening Reception: March 19, 5-7 PM

GATEWAY GALLERY at the COOPER DESIGN SPACE
860 S LOS ANGELES STREET
LOS ANGELES, CA 90014
310.663.1737 info@SAGE-PROJECTS.COM

SAGE Projects and the Do Art Foundation are pleased to present “Thread & Bone”, an installation by Los Angeles – based artist Kimberly Brooks, which examines the intersection of structure and fashion within an architectural space at the historic Cooper Design Building in Downtown Los Angeles’ fashion district.

This site-specific installation transforms the grand entryway of the Cooper Design Building into a spectacle of accoutrement. The giant steel hanging pendant, which was created specifically for this installation, will now be on permanent display. Floor-to-ceiling burlap draperies and industrial concrete columns marry the rawness of the space with the material chosen.  A video piece, and collaged panels integrating memento mori symbology with elements from vintage undergarments, communicate excerpts from Brooks’ portrait series “The Stylist Project.”

This work explores the crescendos and accents that are apparent through layers of paint, and shapes the contours of a complete body of artwork.  Brooks’ installation invites the viewer to examine the artist and her work, by both undressing and zooming in on the most  intimate of details.

Against the backdrop of this large public space, Brooks explores the ever present relationship between fashion and structure through an intimate lens.  Through an examination of paintings from her “Stylist” series, a body of work exploring concepts of fine art and applied art, we journey alongside the artist as her steady microscope selects impressions from her work where the colors, patterns, and gestures, framed independently, are exquisite moments of abstraction.  From the traces of the hand, to the fibers of the brush, skin and bone of the underpainting are gradually unveiled.

Kimberly Brooks is an American Painter who blends figuration and abstraction to focus on a variety of subjects dealing with memory, history and identity.   Her work has been showcased in numerous juried exhibitions including curators from Whitney Museum of American Art, Museum of Modern Art, California Institute of the Arts and Los Angeles County Museum of Art. Brooks received her B.A. from UC Berkeley and studied painting at UCLA and OTIS. Born in New York, Brooks lives and works in Los Angeles.

This installation is on view through July 24th at Gateway Gallery inside the Cooper Design Space, Downtown Los Angeles, seven days a week. For further information or for press enquiries, please contact Heidi Johnson at 323.204.7246 or heidi@thinkhijinx.   

View Full Installation Here

# # #

I Have A King Who Does Not Speak: Kimberly Brooks’ Solo Exhibition, Roosevelt Library, San Antonio, TX

ROOSEVELT LIBRARY
311 Roosevelt Avenue
San Antonio, TX 78210

Presents
A Solo Painting Exhibition

K I M B E R L Y    B R O O K S
“I Have a King Who Does Not Speak”

Nov 20, 2014 – Jan 14, 2015

Artist Reception:
Nov 20, Thurs 6:00- 8:00 PM

FOR IMMEDIATE RELEASE

San Antonio, TX — The Roosevelt Library and Alice Carrington Foultz are pleased to present “I Have a King Who Does Not Speak”, a solo exhibition of by Los Angeles-based artist Kimberly Brooks. The exhibit will run from Nov 20, 2014 – Jan 14, 2015. The Gallery will host a reception for the artist on Thursday, Nov 20 from 6:00 – 8:00 PM.

In Brooks’ latest paintings series the viewer encounters a miasmic world of visual pleasures, from opulent clothing and architecture to hazy landscapes and portraits, all seen through her seductively decadent yet playfully loose brushwork. In keeping with her previous exhibition “I Notice People Disappear,” underlying this evocative imagery one encounters the psychology of desire, loss, and the uncanny.

In “I Have a King Who Does Not Speak” Brooks conjures and resurrects scenes and passages from a foreign place and time. Borrowing ancient imagery used to document presentations of wealth, historical events, Brooks twists images to appear at once familiar and strange. The viewer finds him or herself in an alternate universe. Scenes seems to come from a fever dream, as rooms careen out of control and ghostlike figures disintegrate into the backgrounds. Abstraction runs throughout the works, bending spaces, interrupting scenes with non sequitur brush marks, and transforming emblems of power into smaller paintings, as seen in “Family Tree” and “The Memory of Banquet”. As each painting teeters between abstraction and representation, going in and out of lucidity, Brooks’ work touches on her own understanding of how painters see and process the visual remnants of history. She uses this model as a keyhole to an alternate reality altogether. The challenge of this particular exhibition comes in part from confronting orientalism and the imagery of empire with the added filter and gaze of the contemporary artist. By warping familiar historical imagery in this manner, Brooks employs the remaining vessel as a means of accessing a subliminal past and in doing so opens a door to a world of her own creation.

Kimberly Brooks work has been showcased in numerous juried exhibitions including curators from Whitney Museum of American Art, Museum of Modern Art, California Institute of the Arts and Los Angeles County Museum of Art. Brooks received her B.A. from UC Berkeley and Studied Painting at UCLA and OTIS. Born in New York, Brooks lives in Los Angeles and maintains her studio in Venice, CA. Curator Alice Carrington Foultz has been advising clients through her art advisory for over thirty years and stages exhibitions throughout the country.

Image: “Portrait of Forgotten Ancestor” 32 x 40 in. Oil on Linen 2013 Kimberly Brooks

# # #