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	<title>Comments for Kimberly Brooks</title>
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	<link>http://www.kimberlybrooks.com</link>
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		<title>Comment on Lisa Yuskavage and her Nice Round Eggs by Kimberly Smith</title>
		<link>http://www.kimberlybrooks.com/2007/09/yuskavages-eggs-and-the-miracle-of-reflected-light/#comment-9</link>
		<dc:creator>Kimberly Smith</dc:creator>
		<pubDate>Fri, 05 Oct 2007 02:23:41 +0000</pubDate>
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		<description>&lt;strong&gt;Kimberly Smith...&lt;/strong&gt;

I Googled for something completely different, but found your page...and have to say thanks. nice read....</description>
		<content:encoded><![CDATA[<p><strong>Kimberly Smith&#8230;</strong></p>
<p>I Googled for something completely different, but found your page&#8230;and have to say thanks. nice read&#8230;.</p>
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		<title>Comment on The Challenge of Depiction by golfbreak</title>
		<link>http://www.kimberlybrooks.com/2007/09/the-challenge-of-depiction/#comment-10</link>
		<dc:creator>golfbreak</dc:creator>
		<pubDate>Mon, 20 Aug 2007 22:06:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.kimberlybrooks.com/blog/?p=137#comment-10</guid>
		<description>&lt;strong&gt;golfbreak...&lt;/strong&gt;

Interesting article, thank you....</description>
		<content:encoded><![CDATA[<p><strong>golfbreak&#8230;</strong></p>
<p>Interesting article, thank you&#8230;.</p>
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		<title>Comment on The Challenge of Depiction by Sean</title>
		<link>http://www.kimberlybrooks.com/2007/09/the-challenge-of-depiction/#comment-4</link>
		<dc:creator>Sean</dc:creator>
		<pubDate>Sat, 04 Aug 2007 21:15:27 +0000</pubDate>
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		<description>...I was struck by your use of color and your comment re: &quot;I wonder if attempting to emulate the colors of flesh tone too close forces a subconscious comparison; whether or not deviating dramatically sets the viewer free.&quot; I&#039;m a visual effects artist and one of my biggest criticisms of modern CGI is exactly this problem. It&#039;s &quot;too real = unreal&quot;. A subconscious switch seems to be flipped when one is consciously aware that something on-screen is clearly a model or old-fashioned trickery that gives permission to &quot;go-along&quot; with the intent. Modern CGI has a way of robbing that delight from viewers. So, too, was the subconscious magic of Technicolor.  Somehow, a sense of theatricality in imagery often goes quicker to the heart than a technically precise rendering of the event.  Thanks for your imagery. I will check back often!</description>
		<content:encoded><![CDATA[<p>&#8230;I was struck by your use of color and your comment re: &#8220;I wonder if attempting to emulate the colors of flesh tone too close forces a subconscious comparison; whether or not deviating dramatically sets the viewer free.&#8221; I&#8217;m a visual effects artist and one of my biggest criticisms of modern CGI is exactly this problem. It&#8217;s &#8220;too real = unreal&#8221;. A subconscious switch seems to be flipped when one is consciously aware that something on-screen is clearly a model or old-fashioned trickery that gives permission to &#8220;go-along&#8221; with the intent. Modern CGI has a way of robbing that delight from viewers. So, too, was the subconscious magic of Technicolor.  Somehow, a sense of theatricality in imagery often goes quicker to the heart than a technically precise rendering of the event.  Thanks for your imagery. I will check back often!</p>
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		<title>Comment on The Whole Story, Solo Exhibition by carol es</title>
		<link>http://www.kimberlybrooks.com/2006/05/the-whole-story/#comment-2</link>
		<dc:creator>carol es</dc:creator>
		<pubDate>Thu, 29 Mar 2007 01:29:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.kimberlybrooks.com/blog/?p=51#comment-2</guid>
		<description>not only is she a great artist, but what a writer. just beautiful! thank you for sharing your personal innards with the world. it&#039;s very moving.</description>
		<content:encoded><![CDATA[<p>not only is she a great artist, but what a writer. just beautiful! thank you for sharing your personal innards with the world. it&#8217;s very moving.</p>
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