THREAD & BONE – EXTENDED TO MAY 30th, Artist Talk with Shana Nys Drambot SUN May 3rd, 3 – 5 PM

ARtistConversationInvite

FOR IMMEDIATE RELEASE

KIMBERLY BROOKS: Thread and Bone
MARCH 19 – APRIL 30, 2015 **NOW extended to May 30th**
Opening Reception: March 19, 5-7 PM

GATEWAY GALLERY at the COOPER DESIGN SPACE
860 S LOS ANGELES STREET
LOS ANGELES, CA 90014
310.663.1737 info@SAGE-PROJECTS.COM

SAGE Projects and the Do Art Foundation are pleased to present “Thread & Bone”, an installation by Los Angeles – based artist Kimberly Brooks, which examines the intersection of structure and fashion within an architectural space at the historic Cooper Design Building in Downtown Los Angeles’ fashion district.

This site-specific installation transforms the grand entryway of the Cooper into a spectacle of accoutrement.  A  giant steel hanging pendant, flanked by floor-to-ceiling burlap draperies and industrial concrete columns, marry the rawness of the space with the material chosen.  A video piece, and collaged panels integrating memento mori symbology with elements from vintage undergarments, communicate excerpts from Brooks’ portrait series “The Stylist Project”.

This work explores the crescendos and accents that are apparent through layers of paint, and shapes the contours of a complete body of artwork.  Brooks’ installation invites the viewer to examine the artist and her work, by both undressing and zooming in on the most  intimate of details.

Against the backdrop of this large public space, Brooks explores the ever present relationship between fashion and structure through an intimate lens.  Through an examination of paintings from her “Stylist” series, a body of work exploring concepts of fine art and applied art, we journey alongside the artist as her steady microscope selects impressions from her work where the colors, patterns, and gestures, framed independently, are exquisite moments of abstraction.  From the traces of the hand, to the fibers of the brush, skin and bone of the underpainting are gradually unveiled.

Kimberly Brooks is an American Painter who blends figuration and abstraction to focus on a variety of subjects dealing with memory, history and identity.   Her work has been showcased in numerous juried exhibitions including curators from Whitney Museum of American Art, Museum of Modern Art, California Institute of the Arts and Los Angeles County Museum of Art. Brooks received her B.A. from UC Berkeley and studied painting at UCLA and OTIS. Born in New York, Brooks lives and works in Los Angeles.

This installation is on view through April 30th at Gateway Gallery inside the Cooper Design Space, Downtown Los Angeles, seven days a week. For further information or for press enquiries, please contact Shanoa Garcia at +1.310.633.1737 or info@SAGEprojects.com.   

To RSVP for the March 19 Opening Reception rsvp@SAGE-projects.com

Select Collages on Display

For more information about the installation, click here.

RECENT: I Have A King Who Does Not Speak: Kimberly Brooks’ Solo Exhibition, Roosevelt Library, San Antonio, TX

ROOSEVELT LIBRARY
311 Roosevelt Avenue
San Antonio, TX 78210

Presents
A Solo Painting Exhibition

K I M B E R L Y    B R O O K S
“I Have a King Who Does Not Speak”

Nov 20, 2014 – Jan 14, 2015

Artist Reception:
Nov 20, Thurs 6:00- 8:00 PM

FOR IMMEDIATE RELEASE

San Antonio, TX — The Roosevelt Library and Alice Carrington Foultz are pleased to present “I Have a King Who Does Not Speak”, a solo exhibition of by Los Angeles-based artist Kimberly Brooks. The exhibit will run from Nov 20, 2014 – Jan 14, 2015. The Gallery will host a reception for the artist on Thursday, Nov 20 from 6:00 – 8:00 PM.

In Brooks’ latest paintings series the viewer encounters a miasmic world of visual pleasures, from opulent clothing and architecture to hazy landscapes and portraits, all seen through her seductively decadent yet playfully loose brushwork. In keeping with her previous exhibition “I Notice People Disappear,” underlying this evocative imagery one encounters the psychology of desire, loss, and the uncanny.

In “I Have a King Who Does Not Speak” Brooks conjures and resurrects scenes and passages from a foreign place and time. Borrowing ancient imagery used to document presentations of wealth, historical events, Brooks twists images to appear at once familiar and strange. The viewer finds him or herself in an alternate universe. Scenes seems to come from a fever dream, as rooms careen out of control and ghostlike figures disintegrate into the backgrounds. Abstraction runs throughout the works, bending spaces, interrupting scenes with non sequitur brush marks, and transforming emblems of power into smaller paintings, as seen in “Family Tree” and “The Memory of Banquet”. As each painting teeters between abstraction and representation, going in and out of lucidity, Brooks’ work touches on her own understanding of how painters see and process the visual remnants of history. She uses this model as a keyhole to an alternate reality altogether. The challenge of this particular exhibition comes in part from confronting orientalism and the imagery of empire with the added filter and gaze of the contemporary artist. By warping familiar historical imagery in this manner, Brooks employs the remaining vessel as a means of accessing a subliminal past and in doing so opens a door to a world of her own creation.

Kimberly Brooks work has been showcased in numerous juried exhibitions including curators from Whitney Museum of American Art, Museum of Modern Art, California Institute of the Arts and Los Angeles County Museum of Art. Brooks received her B.A. from UC Berkeley and Studied Painting at UCLA and OTIS. Born in New York, Brooks lives in Los Angeles and maintains her studio in Venice, CA. Curator Alice Carrington Foultz has been advising clients through her art advisory for over thirty years and stages exhibitions throughout the country.

Image: “Portrait of Forgotten Ancestor” 32 x 40 in. Oil on Linen 2013 Kimberly Brooks

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CURRENT: Spring Master Class with KIMBERLY BROOKS @ OTIS Feb 2 – April 10, 2015

INTERMEDIATE OIL PAINTING: EMERGING ARTIST

Join Artist Kimberly Brooks for this intermediate painting workshop where students will refine their techniques and personal style when approaching the canvas. Students will be exposed to practical techniques involving building different types of grounds, color mixing, and when to employ tightness vs. looseness.  Brooks will share various techniques for embracing every stage in the life cycle of creating a work of art as well as assembling a body of work for exhibition.  With an emphasis on safe studio practices, this class will teach techniques for Oil Painting (used by Rembrandt and Velasquez) that minimize exposure to toxic chemicals.

Prerequisite: drawing and composition, introduction to painting: material and techniques.  First class materials: enrolled students will be given an itemized list of basic painting materials and colors.

SIGN UP TODAY

LEONARDO’S BRAIN by Leonard Shlain

LEONARDO’S BRAIN NEWS & REVIEWS

It is with great joy and gratitude that I announce the posthumous publishing of my father, Leonard Shlain’s last book, Leonardo’s Brain: Understanding Da Vinci’s Creative Genius which he completed shortly before he passed five years ago.

The book is available online and in bookstores now. My siblings and I are hosting events to celebrate the book’s release in New York, Los Angeles and San Francisco this fall.

Many of you already know about Leonard Shlain’s previous books, Art & Physics,The Alphabet vs The Goddess and Sex, Time and Power, or were lucky enough to attend one of his presentations. Otherwise you may have learned about him by my Technicolor Summer Exhibition, the articles I have published about our vigil or the flowers or when I dedicated the founding of the Science and Art Meets Science sections to him.

Leonardo’s Brain is not only one of his grand intellectual journeys akin to his previous books, but also has a particularly special meaning as synthesizes of so many of his ideas connecting neurology, history, philosophy, art, science and ourselves, holding Da Vinci as a harbinger of how our species could evolve.

We have so many people to thank — from our publisher John Sternfeld at Lyon’s Press (now Globe Pequot), Robert Stricker, his long time literary agent and particularly Andy Ross, the literary agent for Leonardo’s Brain who seized the opportunity to bring this book to market with zeal our father would have loved.  We also want to thank Ann Patty, (The Life of Pi) who helped us edit the final manuscript. The act of conversing with his ideas in our minds as we navigated the different stages of the editing and publication process was one of the greatest gifts of all.