The Election and Art Swimming in My Head

If every cell in my body had a face, it would resemble that of Edvard Munch’s “The Scream”, with each of the mouths getting wider and wider until November 4th is over with.

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As an artist, I have, like the rest of my species, huge antennas and right now I find it simply impossible to make or write or think about art and not think about the election.

Watching history being made in every regard is to see reality afresh; when a few elements are tweaked, whether the first African American or the first woman vice president. Although let’s be real about the latter–McCain’s injection of Sarah Palin into his campaign was less history and more like an over-dosing Uma Thurman getting a shot directly in the heart a la “Pulp Fiction”. I attribute the genuine history making moments to Obama and Clinton. And thanks to them I do not think as a country that we will ever see four white guys lined up on those debate stages again.

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I notice, throughout the elections, and especially when candidates are being interviewed, they interrupt or defend their positions by saying “the fact of the matter is” as if everything said before that moment was sort of mushy and not “fact based”. That said, the fact of the matter is that things are being shaken up and it is fantastic.

This is not to say that we’ve reached the very end of white-male dominated patriarchy and that we can now all hold hands in a circle under the moonlight and embrace our inner pagan witch/goddesses just yet. But it does signify an historic reality tweak, and hopefully, one that will lead us to some new post gender, post racial, post carbon age that transcends anything we’ve known before.

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